Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. Constance Widgett’s abundant copper-red hair was bent down over some dimly remunerative work—stencilling in colors upon rough, white material—at a kitchen table she had dragged up-stairs for the purpose, while on her bed there was seated a slender lady of thirty or so in a dingy green dress, whom Constance had introduced with a wave of her hand as Miss Miniver. "Here's the full, true, and particular account of Jack Sheppard's last astonishing and never-to-be-forgotten escape from the Castle of Newgate," bawled the hawker, "with a print of him taken from the life, showing the manner, how he was shackled and handcuffed. “John,” she said, “I can spare you that question.
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