. . To-night the subtle suggestiveness of those few daring lines, fascinating in their very simplicity, the head thrown back, the half-closed eyes—the inner meaning of the great artist seemed to come to him with a rush. ‘It does not matter to me if he comes or no, madame. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects.
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