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’ ‘What name would you like, then?’ Her shadowed features turned in his direction. And by monsieur le baron, of a disposition entirely unforgiving, I do not desire to be recognised in the least. Ann Veronica’s experiences of men had been among more stable types—Teddy, who was always absurd; her father, who was always authoritative and sentimental; Manning, who was always Manning. His face fell. How did you get into this house?’ He shrugged. But his lips were honourlocked. His face, as he looked down where his hand sought for a weapon concealed in her petticoat, was so close that she could see only the line of his firm jaw, the drag of his powdered hair that drew it into the military pigtail, and the black ribbon that adorned it. “I think she would,” she decided. ~THE END~ [Illustration: Distinctive Pictures Photoplay The Ragged Edge MIMI PALMERI AS RUTH ENSCHEDE ALFRED LUNT AS HOWARD SPURLOCK] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] [Illustration: Distinctive Pictures Photoplay The Ragged Edge A SCENE FROM THE PHOTOPLAY] End of the Project Gutenberg EBook of The Ragged Edge, by Harold MacGrath *** END OF THIS PROJECT GUTENBERG EBOOK THE RAGGED EDGE *** ***** This file should be named 15614-8. A man’s children nowadays are not his own. Aunt Jane had her quiet moments. A gaunt, powerful man: no feature of his face decided, and yet for all that it had the significance of a countenance hewn out of rock.

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