It was a large, littered, self-forgetful apartment, decorated with unframed charcoal sketches by various incipient masters; and an open bookcase, surmounted by plaster casts and the half of a human skull, displayed an odd miscellany of books—Shaw and Swinburne, Tom Jones, Fabian Essays, Pope and Dumas, cheek by jowl. It was an uproarious affair, for Rollo now knew that he had been grieviously betrayed: they were trying to kill him in a new way. He was absolutely unable to focus his ideas.
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