‘What in God’s name is going on?’ Glancing swiftly towards the doorway, Gerald saw his friend’s disbelieving face and burst out, speaking over the top of Melusine as she made another grab for the little square of linen. He was accompanied by a young man of about seven-and-twenty, who carried his easel, set it in its place, laid the canvass upon it, opened the paint box, took out the brushes and palette, and, in short, paid him the most assiduous attention. It was a pity people had to eat food.
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