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"Poor thing!" muttered he, as the widow departed on her errand, "she's seen better days and better circumstances than she'll ever see again, I'm sure. Elegant, a little scornful, she leaned slightly against the back of a chair and looked him steadily in the eyes. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. To-night all this may seem hard and cruel. And then she fell into a musing about Capes. Clear water gave away to gray as she waded deeper, feeling her slippers on rock. If he awoke and caught you at it, there might be a set-back.
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