Ruth could tell the doctor; she could bare many of her innermost thoughts to that kindly man; but there was an inexplicable reserve before this young man whom she still endued with the melancholy charm of Sydney Carton. Here he found another strong door, making the fifth he had encountered. . She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming.
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