The Master of the Mint. “Never was such an age of transition. Melusine sighed with relief at being alone at last and free to resume her search among the portraits. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. She did not have to investigate that his door was locked.
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